Courtesy of Betty (who took them) and Penny (who scanned them) I’ve got some pictures of the party Penny organized for Shaina last week.

Here’s Shaina being surprised. She was looking here and there, so this one’s a little blurry, but you can still see how pleased she is.

The next one is Penny and Shaina with their party hats on. In addition to taking the pictures, Betty, who is Penny’s mom, also put up all the decorations and generally set up the party.

Next we have a group photo – from left that’s Kate, who wears two hats, one as an interpreter in the English Village and one as the interim intern coordinator for Plimoth. Our new intern and volunteer coordinator, Denise, just started a week or two ago so Kate is passing the reins and getting ready to begin graduate school in the Winterthur museum studies program later this summer. Next to her is Kelley, who has been working in the Colonial Wardrobe department since January. From January to March she was working full time with us, mending and hand finishing garments. Starting in March she went back to work as an interpreter in the English Village and aboard Mayflower II but continues working with us one day a week helping to get the clothes ready for our child volunteer program, which we’re expanding this summer (sorry, you have to be the child of a Plimoth employee). Next are Ruth and Meredith, long time volunteers with the Colonial Wardrobe department. They’re all admiring photos of Shaina’s wedding dress, a Victorian tour-de-force she is making herself (it’s almost done). No, can’t show you till after the wedding. You never know, Shaina’s fiance might check in.

One last picture. These two are having just too much fun.

Penny and her mom, Betty, organized a send-off for Shaina which happened Thursday afternoon. Wendy came, and Tricia, and several people from the office. There were white paper wedding bells on the door and iced tea in a big punch bowl. Wendy sent me this note on Thursday night, but due to trouble with my home email I didn’t find it until today:

One of the most wonderful aspects about the the “Jacket Project” are all the individual staff members that those of us who come to stitch or lace have the opportunity to meet and work with. Shaina is one of them and sadly for us is leaving to marry and move on to the next part of her life…. You know the drill – spouse , mortgage bills etc…..

We had the delightful opportunity to send her off today, we greeted her wearing hats and smiles (her wedding invitations suggested that guests wear hats and gloves since it is a Victorian Wedding Celebration) and amid coconut cupcakes, cinnamon scones, lemon curd, decadent chocolate brownies and iced tea we all chatted about weddings and the way life changes.

I marveled again at the things that make us unique, the things that change us, the things that strengthen us and the things that we all have in common…….. The threads that connect us……….. Always have…….. always will!

Wendy

Here’s a picture for today. This kitten was a foundling on the Plantation grounds a couple of months ago. After a thorough search for anyone who might be missing her, we determined she was looking for a family. Shaina decided she’d make the perfect kitten for her new home and named her Izzy.

Izzy’s lounging amid the remains of the party Wendy describes above. (The silver dragees are all that were left of the awesomely delicious vegan coconut cupcakes Penny made.) We’ll miss Izzy around the office, although we won’t so much miss her Jekyll & Hyde mood swings.

Here, courtesy of Wendy, is a photo of the stitched columbine motif. In my opinion, it is the wackiest of the motifs on the jacket. It sort of resembles a columbine to me, but not much. And it looks crazy. Several columbines were embroidered this session; Norma B from Connecticut stitched this one.

It not only has the first bit of green GST on the jacket, but it also has blue, and pink, and red GST, not to mention a little plain pink silk. It’s the kitchen sink motif.

Thanks for the positive comments on the divided carriers from Orleans Carpenters on Friday’s post. We’re grateful for their generosity, and pleased to be associated with them. By the way, there is a treat on the way to go with these carriers. It’s in development now and should be ready by the end of May. More later.

Last embroidery session was in the Wardrobe office. Several embroiderers have mentioned that one of the side benefits of being in the office is the chance to see the behind the scenes work going on – interpreters in period dress frequently come up for a pair of mittens or a fitting or to ask if anyone can help them with the fax machine. This was a little surprise on the last day of the April session, tiny Rebecca Prence stopped by with her grandmother, Mary Brewster. The pink peeking out of her gown is a knitted wool undershirt, based on the tiny one in the collection of the Museum of London. Thanks to Wendy for this photo.

Lyn from Canada was here last weekend embroidering on the jacket. She’s a veteran, she has worked on the jacket a couple of times before. On one of those trips last fall (before the snow set in) Lyn mentioned to Wendy that she’d be touring around Cape Cod for a few days before she headed back to Ontario. Wendy said, well, you have to stop in at Orleans Carpenters, Beth and Paul Dixon’s workshop on the Cape, where they make gorgeous Shaker boxes and some awesome needlework accessories. So Lyn did. And while there she told Beth all about the jacket project, and how she had come from Canada, and others from all parts of the US, and how fun and special it is.

Of course, I didn’t know about any of this. A couple of months later, I got a box with a lovely letter from Beth, and two of these:

I was overwhelmed. Beth, in her note, said that the jacket project sounded like a wonderful way to bring people together to serve a project that would add joy and beauty to the world and she wanted to support it somehow (I’m paraphrasing, because of course I’ve left the original at the office….). I was overwhelmed. The box, really a divided carrier, is just beautiful.

Beth and Paul’s original gift to the jacket has morphed into an even bigger gift to the jacket. The Dixons are selling these carriers for a limited time, and are donating $10 to the Textile Conservation Fund for each carrier sold. Go to their website, Orleans Carpenters, scroll down to the bottom of the left-hand list, and click on the Plimoth Plantation link. Even better, browse around for a while. They do beautiful work.

Thanks again, Beth and Paul, and thanks to Lyn for sharing our story, thanks to Wendy for helping Lyn and Beth meet, and thanks to you for supporting the Jacket!

Note to Susan, who in the comments asked if anyone was thinking about charting a reproduction of the EC sampler – YES! Elizabeth Creeden, noted expert in the field of historic needlework and popular teacher, is doing just that. I expect it won’t be ready for a bit, it’s a pretty big project, but you’ll see it here when it is. Thanks for asking!

Last Friday the embroiderers at our April session got an unexpected treat – Mark was working in the Crafts Center making spangles. Lots of Mark’s work isn’t suitable to the Crafts Center, requiring a big fire like it does, but this work is great for that space.

Wendy and Tricia took photos and also video, I believe. Wendy sent me these photos.

Two tubes of the silver thread for the lace making arrived in the mail from Tricia this morning. Carolyn sent a note that she and Wendy will be down week after next to wind bobbins. Carolyn will finish off the wing piece that Bryce did, and start the next piece so Jill H can work when she comes in May.

Joann G’s embroidery sample arrived a couple of days ago and Kathy sent a big pile of embroidery kits out. Those of you who were waiting for kits, they’re on their way. I think that’s all the news for today.

Today Wendy counted up the motifs that were done this weekend. I had high hopes for this session and I was not disappointed. There were many hands working and a great deal was accomplished:

16.5 worms. The plain worms, not the fancy worms. We don’t have directions for those yet. But the plain worms gave us plenty of head-scratching moments, as we tried to figure out what color each should be, comparing the photos of the original and the different pieces of the jacket. The half worm disappears into a seam, and it was the back half that was stitched, which led to some merriment. Oh, and Debbie thinks they’re actually slugs, since they have little feelers on they little heads. Are slugs ickier than worms?

3.5 pansies. Pansies take a LONG time to work, and they’re not as spectacularly colored as the pansies I’m familiar with. Still very pretty, and after these 3.5 were done, there are not that many left.

2 whole pinks. Pinks, or carnations, and in the 1627 village gillyflowers (hence very popular with me). Also take a long time to do, and we’re almost done with them, too.

6 leaves, 1/2 a pea pod, 1/2 a rose hip, 1/2 a thistle calyx, 1/2 a honeysuckle, 1 set honeysuckle buds, and one little edge of a pea pod that vanished into a seam. It was just a tiny line, but it was fiddly to work since the way it was oriented meant a long column of one buttonhole stitch per row rather than one long row of stitches. Abigail did that one. Some of those half motifs were partially done at other sessions by other stitcher, some were the kind that disappear into seams or off the edges of the pieces.

AND TWO of the dreaded trefoils. That’s a thistle in the bottom of that photo, with the calyx of course the green part below the blossom. Debbie did one of the trefoils and Linda did the other. Linda was with us only on Saturday.

Not to mention 9 lace motifs in only two days (that was Bryce, speed lacer.)

Here’s a picture of Wendy working that very first rose motif. She stayed late tonight to finish it, “so her boss won’t yell at her.” We’ll see what Tricia thinks of the result, maybe next time we can add another motif to our repertoire.

Thanks, everyone. I so enjoyed this weekend.

Here’s two pictures of Bryce working, both from Friday. And here’s what Bryce said in the comments about her time in the workroom:

I had such a wonderful time making lace. I urge all you lacemakers out there to try it! It’s a little fiddly, but not difficult. The people — staff and embroiderers both — are wonderful. The food is as good as they say it is. All in all, a great place to get away from everything for a couple of days. Thank you! I’m hoping to get back!

I’m glad she had such a good time, that is the point, after all, to have a good time doing something you enjoy with other people as crazy I mean passionate and dedicated as you are. Well, that and making the thing. That too.

I mentioned that Wendy is working the prototype of the rose motif this weekend. I wanted to expand on that a little. Before she started stitching, she and Tricia sat down with some detailed photos of this motif, both prints and digital images enlarged on Tricia’s laptop. They sketched out the shape and drew in the direction of work, determining which stitches and and colors should be used. Here are a couple of pictures of that conversation. This took maybe a half hour, give or take, and they’ve done this with a couple of other motifs, too. It’s one of those fascinating things that happens almost unnoticed, I think all those working in the other room had no idea this was going on. I just happened in and thought you’d like to hear about it.

So they decided how to proceed, and Wendy will finish the prototype this weekend as I mentioned. If it looks like the originals we’ll be good to go. If for some reason it doesn’t come out as expected, then it’ll be back to the drawing board to see if a different method will result in a more faithful reproduction, just like the process Mark went through with the spangles. Sometimes this is called experiential archeology. Whatever you call it, it is pretty cool. Likely this level of intense scrutiny would only happen in trying to create a reproduction, which is one of the reasons why I do this sort of work.