I hadn’t been at Plimoth when the new Patterns of Fashion 4 preview was viewed and so was very excited today when my package came from Plimoth with my order (benefiting the jacket project – get yours now).

WOW. I am very grateful to Jenny Tiramani and Santina Levey for finishing this book for Janet and bringing this set of her research to our eyes. I have just finished my first totally absorbing poring over the contents. The pictures are stunning.

Janet Arnold was Joanna Hill’s advisor and Joanna has been conserving the EC sampler at Plimoth which the readers of the blog have generously made happen through their contributions. Joanna has told me numerous times how much she had wished that the publishers of Janet’s many volumes would have included color and large photographs of the objects. In her opinion “Queen Elizabeth’s Wardrobe Unlocked” would have made the most stunning coffee table book and an elaborate use of color would have lived up to the tremendous research that the volume contains. I agree. And Macmillian/QSM must have heard some of those rumblings. There are far more color photos and close ups than I would ever have expected in this book almost 1/2 the volume is color photographs. Kudos to them!

The book has something for everyone and covers those mysterious details that many of us have wondered about for a long time. There are close pictures of embroidery, lace, finishing details, ruffs, armatures, clothing, portraits, etc. I now totally understand how all those funny lace collars you see in so many portraits happened. If you have any of Janet’s publications in your library, you have to add this one to the mix. Just buy it, support the Jacket project, wrap it and put it under the Christmas tree marked “From Santa”. You will be glad you did.

Tricia

Wow. That was faster delivery than I could have expected, even from our crack Retail Mail Order team. Thanks to everyone who has ordered, and enjoy!

I haven’t blogged three out of the last four nights because I simply can’t think of anything to say. Nothing new has happened since about 10 days ago when Carolyn and Robbin worked on the real lace. I’ve been taking this project one bite at a time for over a year (remember the old joke about how to eat an elephant? One bite at a time…) and right now there just isn’t another bite on the fork.

Don’t mistake me – there’s plenty left to do. More silk embroidery (more trefoils!) more GST embroidery, more lace (WAY more lace!). And there are more things to figure out – how to manage the gold work, how to marshall the legions who’d like to sew on sequins, and don’t even mention the whole putting-it-together part (no, really, DON’T mention it!). And then when it’s finally done, there’ll be the creating an exhibit to go with it.

But right now, this week, no decisions or choices are in the offing. We’ve got an embroidery session starting on Friday, the first one with embroiderers AND lace makers working at the same time. That’ll be exciting. And hopefully some of them will bring some show & tell that I can then share with you. But right now…..

So, if you have any wonderments, anything you wish I’d explain, anything I explained so long ago you don’t remember where we’re coming from, anything at all, let me know.

To make up for assigning you the blog for the next couple of days, I’ll leave you with a picture. This is a detail of a gorgeous 17th century raised-work embroidery which belongs to Joanna Hill, a textile conservator and friend of Tricia’s. Joanna so kindly brought this embroidery to a couple of sessions last summer and let us all get really close to it and take lots of pictures. It’s the only real 17th century artifact I can actually post pictures of here. I love that the bird has a bug in its beak. Ewww.