Putting it all together
July 27th, 2008 by Jill HallThere’s not a great deal going on with the jacket this month. I decided a while ago to not schedule any work sessions in July, and it turns out that was a very good idea.
I have been spending Sundays in the Crafts Center working on the jacket, but today family concerns prevented me; Emily stepped up on short notice and covered my commitments to the site and the jacket. Thanks, Emily.
Aside from embroidering whenever possible, I’m also working on the mock-up of the jacket. By working on, I mean cutting out a model from the same linen and a similar but commercially woven silk. I wrote to Susan North for advice on the making up, and she wrote back with some notes based on her examinations of the Laton jacket as well as others in the V&A collection.
The two most significant points in my opinion are that several different techniques seem to have been used on both the Laton jacket and the others, and that these different techniques don’t seem to be standard from one jacket to the other. In other words (because those ones were pretty opaque) 17th-century tailors of embroidered jackets seem to have used a variety of methods unsystematically. Good news for me, then, as I’ve got precedent for doing what works.
I’ll keep you posted, of course, but if I’m this nervous about working on the mock-up, how will I feel about sewing the actual thing? At least that will be worth taking pictures of – plain linen and plain white silk make a very boring photo.




