Update from the Day Job:

Penny’s been working on this pair of hand-sewn stays for the past many weeks. Working off and on, and having to do some alterations on the fit, but she’s really been plugging away at them for a lot longer than she wanted to be, you know?

And now they’re done! Hooray!

And here’s Arianna, our autumn intern, who is off to a fantastic start. Here she’s working on the last bits of a new lightweight waistcoat for one of our new interpreters, Vicki, who will start on Saturday.

Arianna had just had a very successful second fitting, and now only has to sew on the wings, finish the sleeves, and do the buttons and buttonholes and it’ll be done!

I’m also making a waistcoat for Vicki, a wool one,  but have a lot more than that to do. I’m also almost done with a smock for Vicki, and have done an initial fitting of a wool waistcoat for Jenna, another new interpreter. Jenna’s actually already started on site, but will need this as quick as I can pull it together.

Then we’ve got one more new interpreter, Molly, who will be working with the Education Department presenting programs in local schools. The stock of clothing was so totally picked over by Jenna, Vicki, and everyone who came before that Molly needs quite a lot of sewing…tomorrow Penny will be remaking the waists of two petticoats so they’ll fit Molly properly, as well as altering the neck/shoulders of a second smock for Vicki.

Penny knitted another awesome hat, this one for Emily. The pink is yarn Emily dyed with cochineal, which are indeed little bugs. Penny duplicate-stitched a skull, because Emily has a pirate aura.

I suppose going back to school is an acceptable excuse for leaving us.

Betty-Anne, Rosemary and Abigail all brought lovely show and tell objects to the last session. Wendy kindly photographed for me, as I had very cleverly “lost” my camera in the trunk of my car. We missed getting a snapshot of Rosemary’s gorgeous Victorian style beaded scissors case, with the beaded fringe and beaded neck cord.

Here is a photo of some of Betty-Anne’s doll beds. She has made eight or nine of them illustrating different historic styles of bed hangings. She brought these two to show.

And this is Abigail’s blackwork truly-a-sampler. She adds to it as she finds designs she wants to record, has used at least one (the double acorn on a garment) and in working another discovered she never wants to use it again. That’s just how samplers were used in the early 17th century.

And here is a picture of Lacey modeling her Plimoth souvenir hat and holding the coveted Janet Arnold book. Lacey dyed the yarn with madder and Penny knit it for her. Turns out the Virginia girl collects winter hats. I’ve been told it gets cold in Virginia. Mmm-hmm. (Lacey spent ten years in Germany, where it really does get cold. We just like to tease her.)

Lacey headed home about a week ago, and we all miss her very much. She’s promised to come back for the exhibit opening in May. This is Emily’s last week with us and today she’s fighting off a cold and valiantly soldiering on with the green canvas suit. She’s determined to finish it before she has to go home. I’m not liking the empty nest.

Our next embroidery session starts Friday August 22. We’ll have several embroiderers and a lacer or two. There’s still room if you have some time, come and join us.

To answer Robbin’s question, there will Not be plaited braid stitch instructions in the needle-gold thread kit, so go ahead and order Linda’s from Calico Crossroads. There’s a link in the upper right portion of the blog home page. Go to her searchable catalog and look for plaited braid stitch. That should bring up the $6 + shipping packet of full-color instructions. If you have any trouble you can email Linda through the contact page on her website.

Thanks for the note about the comment box being overrun by text. Unfortunately we’re between Webmanagers right now; I sent Rich a note about it on his last day. I don’t think he laughed, but only because he’s not that kind of person. He did say that issue was already on the list for the interim guy to work on, but I have a feeling the interim guy had a lot more on the list….cross your fingers that another talented webmanager wants to work here and we find him/her soon.

Here are two tantalizing pictures of the excellent stuff Penny, Emily, Lacey, and two volunteers from the Landmark program did here on Tuesday and Wednesday. I know Pen, Emily, and Lacey want to blog about the whole experience, so I hopefully won’t be treading on their toes by posting these two. The first is their cushy setup outside the Crafts Center. Chairs! And a tent! It looks comfy, but it was scorching hot those two days.

The second is some yarn gently simmering in madder, I think.

They all had an excellent time, worked really hard but said it didn’t feel like work; the visitors loved it, the other Crafts Center artisans loved it, and Penny’s so pleased she’s already talking about doing it again in September. That much makes it a ringing success. But they also got loads of gorgeous yarn out of the deal, and that’s just gravy. They all three looked really tired on Thursday, though.

There’s not a great deal going on with the jacket this month. I decided a while ago to not schedule any work sessions in July, and it turns out that was a very good idea.

I have been spending Sundays in the Crafts Center working on the jacket, but today family concerns prevented me; Emily stepped up on short notice and covered my commitments to the site and the jacket. Thanks, Emily.

Aside from embroidering whenever possible, I’m also working on the mock-up of the jacket. By working on, I mean cutting out a model from the same linen and a similar but commercially woven silk. I wrote to Susan North for advice on the making up, and she wrote back with some notes based on her examinations of the Laton jacket as well as others in the V&A collection.

The two most significant points in my opinion are that several different techniques seem to have been used on both the Laton jacket and the others, and that these different techniques don’t seem to be standard from one jacket to the other. In other words (because those ones were pretty opaque) 17th-century tailors of embroidered jackets seem to have used a variety of methods unsystematically. Good news for me, then, as I’ve got precedent for doing what works.

I’ll keep you posted, of course, but if I’m this nervous about working on the mock-up, how will I feel about sewing the actual thing? At least that will be worth taking pictures of - plain linen and plain white silk make a very boring photo.