Recreating a 17th-century embroidered jacket, The Embroiderers' Story chronicles its progress.

New England Lace Group

September 24th, 2008 by Jill Hall

My camera was hiding in the trunk. It came out as soon as I wasn’t looking for it anymore, and I got these pictures. The first is of Mary D, who came up from Virginia to work on the lace this weekend. She set herself a goal of 6 repeats/day, and was well ahead of that by Sunday afternoon. Her hands moved so quickly the photo is blurred.

It was a treat to me to have some quiet time to chat with Mary; bobbin lace as a technique doesn’t really call to me (fortunately, my fiber room is bursting with supplies and tools) but it was fascinating to hear about how she came to learn to make lace, and how she enjoys the puzzle and challenge of working complex patterns with many pairs of bobbins. I asked her if this lace, simple as it is and with very few bobbins, comparatively, is boring. Fortunately the answer was no, because working with the metal threads presented its own challenges.

Here are two pictures from my visit to the New England Lace Group on Saturday. I thoroughly enjoyed the day, and was pleased to find I knew more people than I thought I was going to – Bryce, Jill H and Carolyn W have all been to work on the Plimoth lace, plus there was Carolyn H who had invited me, and Mary came for the meeting, and also Elisabeth whom I’d met a few years ago at a Weavers’ Guild of Boston meeting. They all, old friends and new, gave me such a warm welcome, and were so admiring of the work. I feel funny, always in the position to accept all the praise for the project – I’m officially passing it on to all of you, who really deserve it!

Two Wing Pieces

August 27th, 2008 by Jill Hall

On Friday, Carolyn took the second wing piece of lace off the pillow. The “wings” are little flaps that are stitched on over the shoulder. On our jacket, as on the Laton jacket, they are trimmed with lace.

Wendy arranged the lace over Carolyn’s shoulders so we could see the effect.

I was out in the other room talking about volunteer needs for the Colonial Wardrobe Department with Plimoth’s new intern & volunteer coordinator (no, the irony hasn’t escaped me) when Carolyn came walking in with the lace over her shoulders.

It was amazing how the teardrop spangles trembled with her movement. We were all impressed again at how the finished jacket must have looked when the wearer moved, when the already flickering light twinkled over all the Bling. Wow.

Spin, Span, Spun

May 29th, 2008 by Jill Hall

We get COMMENTS! WHOO! I loves comments, yes I does.

Carolyn H wrote: Jill, Plimoth is so lucky to have this offer from Carol. (I think so too!) I think you’ll be so pleased at the durability of stockings knit from combed long wool. Some years ago I knit a pair of socks for my husband. He put a hole in the heel within a few months (I had used woolen spun Cheviot wool). I subseqeuntly combed some Cotswold long wool, and he has been wearing those socks for over ten years!! This is one of the wonderful things about this blog — chances to read and learn about all aspects of textiles at Plimoth! Thank you.

Thank me? Pfffft. Thank you. I love writing about stuff I love to write about.

Margaret wrote:
In your wildest dreams, did you ever imagine how exciting and interesting this blog would be? I feel humble and proud to have worked on the jacket and toured your costume studio last August. I can hardly wait to see what you do next.

It’s good to hear from you, Margaret. You should be proud, you do lovely work. This project seems to be inspiring a lot of humility and gratitude, though; I feel that every time I get to welcome generous talented embroiderers and lace makers to work on it, and even when I just get to talk about it. And, no, I had no wild blogging dreams, only nightmares where no one came.

Carol from the UK wrote with a technical question:

“two strands S spun and double plied Z”

Is this just another way of saying 2-ply or is this a different technique? I really appreciate all the information you are sharing with us. Yes, I already know a few of the things you write about but I am learning more all the time, and I thank you for it.

This has been an incredible journey, even for those like me who can only watch from the side lines.And before I even had a chance to see this, Kat had written in with the answer:

I’m so flattered that Jill put this up! (I maybe should have warned Kat that everything gets in the blog. Inquiring minds, you know.) I love to spin and this is just such a fun thing to do.

To clarify the “two strands, S spun, and double-plied Z” directions — wool that is S spun was spun on a wheel moving in the clockwise direction (clockwise from where the spinner sits). Wool that is Z spun is spun in a counterclockwise direction. To ply, you want to go in the opposite direction from how the strands were spun. If you ply in the same direction as the spin, you will get a really hard yarn!

The direction also has to do (historically, anyway) with the type of yarn being made. S spun for woolens; Z spun for worsteds. I always think of it in terms of: Woolen — carded — S spun/Worsted — combed — Z spun. Distinguishing between carding and combing is also a tip as to the breeds of wool being spun.

It would be interesting to see if silk responds differently to S or Z spin. An archaeologist friend sent me an article where a colleague of his proved that flax naturally spins in one direction, and hemp in the other. She was able to use the cordage impressions in pottery shards to determine what the clay had been wrapped with, which absolutely blows me away!

Kat, inquiring minds will also want the citation for the article, would you send it please, when you have a chance? Thanks.

And Melanie Anne connected the dots for us:

Ah, another instance of S and Z. In embroidery, we see the S and Z as the differentiation between the Stem Stitch and the Outline Stitch. Depending on the direction you make your stitch it creates a twisted border that makes an “S” or a “Z”. I can never remember which is which, but I believe the “S”tem stitch makes the S and the Outline stitch makes the Z. In practice, most people interchange them without differentiation- but technically there is a difference. This of course, is completely different than just using a stitch to outline something… but I digress… Now that I realize that yarn also has a directional “twist”…. does silk spinning also vary with the directional S & Z?

Yes, I believe that anything you spin, whatever fiber it is, fine like silk or coarse like rope, can either have a right-leaning or left-leaning twist, usually described as S/Z, or clockwise/counterclockwise. I remember seeing an article by Deb Pulliam in Piecework? Spin-Off? one of those magazines about spinning Z and plying S for crochet; that the natural motions of the crochet stitches tended to un-spin “usual” S-spun Z-plied yarn.

Lace work

April 29th, 2008 by Jill Hall

Carolyn and Margaret make some calculations.Yesterday, Carolyn and her friend Margaret came to Plymouth to work on winding bobbins. I have lots of pictures.

Quite a lot of time was spent calculating how much thread should go onMore conferring and confirming before cutting. each pair of bobbins. I think lacers come from the same school as carpenters, the “measure twice cut once” school, or in this case, figure twice and double-check the calculations. So this part took a long time and was crucially important though maybe it didn’t make the most exciting photos.

Finding the middle and the end, and winding on.Then the interesting stuff started. Carolyn and Margaret measured quite long lengths of thread, found the center, and then wound each end onto a separate bobbin. This process involved long pieces of nearly invisible thread stretched across the room.

At one point I totally did not see the silver thread and nearly created aMargaret holds a bobbin. disaster by walking “through” it. No harm done, fortunately. Here are pictures of winding, and one of Margaret holding a wound bobbin with the tiny hair clip holding the metal thread securely.

Stringing the spangles.For one set of bobbins they had to string spangles on the thread. Mark left us a tin of about 160 spangles and they used them all, plus 40 of the 50 we had left over from last time.200 spangles.

Here is a picture of Carolyn stringing the spangles, shaking them down the thread to where they need to be (she very patiently did this three times till I could get a decent picture) and one of the loaded bobbins. That’s 100 spangles per bobbin.

Thanks to Carolyn and Margaret for their hard work. They’ll be back to set up the second lace pillow later this week.

Last week we received a beautiful pair of yellow knitted gloves from Megan D and an equally lovely pair of brown ones from Jessica S. Thank you both.

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