Recreating a 17th-century embroidered jacket, The Embroiderers' Story chronicles its progress.

Spin, Span, Spun

May 29th, 2008 by Jill Hall

We get COMMENTS! WHOO! I loves comments, yes I does.

Carolyn H wrote: Jill, Plimoth is so lucky to have this offer from Carol. (I think so too!) I think you’ll be so pleased at the durability of stockings knit from combed long wool. Some years ago I knit a pair of socks for my husband. He put a hole in the heel within a few months (I had used woolen spun Cheviot wool). I subseqeuntly combed some Cotswold long wool, and he has been wearing those socks for over ten years!! This is one of the wonderful things about this blog — chances to read and learn about all aspects of textiles at Plimoth! Thank you.

Thank me? Pfffft. Thank you. I love writing about stuff I love to write about.

Margaret wrote:
In your wildest dreams, did you ever imagine how exciting and interesting this blog would be? I feel humble and proud to have worked on the jacket and toured your costume studio last August. I can hardly wait to see what you do next.

It’s good to hear from you, Margaret. You should be proud, you do lovely work. This project seems to be inspiring a lot of humility and gratitude, though; I feel that every time I get to welcome generous talented embroiderers and lace makers to work on it, and even when I just get to talk about it. And, no, I had no wild blogging dreams, only nightmares where no one came.

Carol from the UK wrote with a technical question:

“two strands S spun and double plied Z”

Is this just another way of saying 2-ply or is this a different technique? I really appreciate all the information you are sharing with us. Yes, I already know a few of the things you write about but I am learning more all the time, and I thank you for it.

This has been an incredible journey, even for those like me who can only watch from the side lines.And before I even had a chance to see this, Kat had written in with the answer:

I’m so flattered that Jill put this up! (I maybe should have warned Kat that everything gets in the blog. Inquiring minds, you know.) I love to spin and this is just such a fun thing to do.

To clarify the “two strands, S spun, and double-plied Z” directions — wool that is S spun was spun on a wheel moving in the clockwise direction (clockwise from where the spinner sits). Wool that is Z spun is spun in a counterclockwise direction. To ply, you want to go in the opposite direction from how the strands were spun. If you ply in the same direction as the spin, you will get a really hard yarn!

The direction also has to do (historically, anyway) with the type of yarn being made. S spun for woolens; Z spun for worsteds. I always think of it in terms of: Woolen — carded — S spun/Worsted — combed — Z spun. Distinguishing between carding and combing is also a tip as to the breeds of wool being spun.

It would be interesting to see if silk responds differently to S or Z spin. An archaeologist friend sent me an article where a colleague of his proved that flax naturally spins in one direction, and hemp in the other. She was able to use the cordage impressions in pottery shards to determine what the clay had been wrapped with, which absolutely blows me away!

Kat, inquiring minds will also want the citation for the article, would you send it please, when you have a chance? Thanks.

And Melanie Anne connected the dots for us:

Ah, another instance of S and Z. In embroidery, we see the S and Z as the differentiation between the Stem Stitch and the Outline Stitch. Depending on the direction you make your stitch it creates a twisted border that makes an “S” or a “Z”. I can never remember which is which, but I believe the “S”tem stitch makes the S and the Outline stitch makes the Z. In practice, most people interchange them without differentiation- but technically there is a difference. This of course, is completely different than just using a stitch to outline something… but I digress… Now that I realize that yarn also has a directional “twist”…. does silk spinning also vary with the directional S & Z?

Yes, I believe that anything you spin, whatever fiber it is, fine like silk or coarse like rope, can either have a right-leaning or left-leaning twist, usually described as S/Z, or clockwise/counterclockwise. I remember seeing an article by Deb Pulliam in Piecework? Spin-Off? one of those magazines about spinning Z and plying S for crochet; that the natural motions of the crochet stitches tended to un-spin “usual” S-spun Z-plied yarn.

Day Four

June 24th, 2007 by Jill Hall

…opened with a flurry of getting settled, again. Thursday night we brought everything up to the Wardrobe Department work room, but didn’t set up. Friday morning everyone found a table, chair and frame stand to suit and we ran extension cords and power strips again. A few stitchers found the overhead daylight fluorescent lights so bright they didn’t need a task lamp.

We weren’t able to accommodate every stitcher in the department’s big workroom, so we spilled over into the adjacent large office. That was where we’d planned to set up the snacks and lunch, so the food had to be pushed back to a small alcove. We also set up the invisible barrier which prevents food & coffee-carrying people from crossing through the doorway into the work rooms.

Late morning, everyone walked over to the collections storage area, where Karin Goldstein graciously gave the group a show & tell talk about the sewing-related artifacts in Plimoth Plantation’s originals collection, and displayed the two 17th-century samplers we have.

Another guest, Joanna, a textiles conservator, had brought a special treat for everyone to see: a 17th-century stumpwork picture. Some pictures posted here (click on the image for more views).

So where to have lunch? It was a gorgeous clear sunny day, so Laura swept the courtyard and put tablecloths on two picnic tables. I was going to take a picture, but decided to eat first. Just as I sat down (one of the last), a dark cloud blew in. “Hey, it’s getting pretty dark” someone remarked. “Is that rain?” The words were hardly out when a clap of thunder opened the floodgates. We finished lunch standing around in the hallways, squished as far away from the frames as possible. By the time the stitchers were settling down to work again, the sun was breaking through. No picture of happy embroiderers lunching al fresco.

After lunch the stitchers began finishing their work for this session. Tricia’s organized mind has established an amazing record-keeping system. We’ll be able to track and analyze all sorts of data based on the notes the embroiderers are keeping as they work.

One element of the system makes it possible to record exactly which elements are worked by whom. For this, Laura photocopied the master embroidery pattern. Each embroiderer then signs the individual motifs she has worked. The first picture is Pat, carefully matching the worked motif to the pattern (it’s easy to get turned around, with all the swirls). The second picture is Ann (in the background) and Carol sorting out what they stitched on the sleeves. Another part of the plan has two embroiderers with similar hands working on the mirrored pieces, like sleeves and fronts, and switching frames partway through the session to further meld the styles. Ann and Carol were both working on sleeve pieces this week.

We had little thank-you gifts for the embroiderers who participated this time. Everyone received a copy of Plimoth Life, Plimoth Plantation’s magazine. This issue contains an article about the jacket, as well as others on the 50th anniversary of Mayflower II’sarrival in the US, and Plimoth Plantation’s mission to become a bicultural institution. Thanks to the skilled Kristen, one of the Crafts Center’s potters, we also gave everyone a hand thrown cup. My daughter’s hand is in the picture for scale.

The hard part of this day was the farewells. In only a few days we’d formed a team, a community. Some renewed old friendships, others made new ones. We all enjoyed the company and conversation of others who are passionate about embroidery.

When considering this project and beginning the planning, I knew it would be a huge undertaking, that it would be at times exhausting, that there would be unforeseen difficulties and comparable triumphs. But I never imagined how personally rewarding it would be to meet so many talented people who are so generous with their time and skill. It was a pleasure getting to know the ladies who participated in session one. I’m looking forward to meeting many more of you in the coming months.

See you here tomorrow.

The Embroiderers’ Story is proudly powered by WordPress
Entries (RSS) and Comments (RSS).

© 2003-2008 Plimoth Plantation. All rights reserved.
hours: Plimoth Plantation's Administrative offices, Education Department and Creative Gourmet are open 9 AM to 5 PM, M-F
address: 137 Warren Avenue, Plymouth, MA 02360 USA
telephone: 1 + 508 746 1622

 

pilgrim first thanksgiving american history plymouth rock mayflower