Recreating a 17th-century embroidered jacket, The Embroiderers' Story chronicles its progress.

Sweepings

April 4th, 2008 by Jill Hall

Embroidery sample received from Debbie A; stockings received from Susan J and Monique N; 2 pair gloves received from Linda F. Riches.

Penny and Shaina spent the day cleaning the office, not the big workroom, but the office. The office is a medium-sized room.  There are two bookshelves, about 12 big plastic tubs that hold fabric scraps sorted by content and color, plus a mess of stuff that has no other home. There’s also a big desk that holds the phone and the old computer, a temperamental behemoth which is currently on vacation in the IT manager’s workshop. The past couple of days I have thanked heaven and Robbin for the laptop many times a day. The office also houses everything I had no other good place for. Plus my filing system is haphazard at best. I usually think I will only remember things if I can see them. Out of sight, out of mind. But the desk had gotten to be an archaeological site – I had to find things based on how long ago I’d last seen them. Not good.

So Penny and Shaina volunteered to “help” which meant they did all the hard work. They moved stuff, filed the obvious, vacuumed, dusted, washed, threw out what needed to go and repeatedly encouraged me when my attention wandered. The office looks absolutely great, and I only have three smallish piles of stuff I don’t know what to do with. One of the piles is left over from the great office cleaning of 2003. The other I inherited from my predecessor, from whom I learned my filing system. Ahem.

spanglesMark made some more spangles today. He worked in the Crafts Center, thus visitors to Plimoth were able to watch and ask questions. I saw him on his lunch break and he said he was having fun. So we’ll have more spangles for next weekend’s session (not tomorrow, a week from tomorrow), plus a great exhibit into the bargain. spangle stock

The other thing I did today was consult with Kathleen and Marcia about food for the 4/11 – 4/14 session and let them know how many we’re expecting. I’m delighted to say that we’ll have more than a handful of workers next weekend – the first time we’ll have embroiderers and lacers working together. I can’t wait. We’ll be in the wardrobe office, and tomorrow’s first job is to send a note to the participants. There’s still room if you would like to join us.

**If you’re having trouble getting in touch with me, please call if that’s convenient (508-746-1622 X8119) or leave a note in the comments. The office computer’s rest cure means I can access new emails to the jhall@plimoth.org address (ones since Wednesday) but not old ones. So I can’t return emails I got before Wednesday. Plus we have a new spam filter, which works excellently but has kept out some legitimate mail. So if you think I should have written back by now, please call or leave a comment.

Without whom the spangles would not be possible …

March 31st, 2008 by Jill Hall

I know I promised pix of Robbin’s lace work today, but at the time I wasn’t remembering that I wouldn’t be in the office today. I left them in the laptop at the office. Here instead, is the story of the completion of the Spangle Quest in Mark’s own words. The gratitude, though, is seconded by all of us who Love the Jacket.
Hi Jill,

These are the people that helped me make the spangles happen. First of all Paula Marcoux* introduced me to George Greenemyer. He is a sculptor and instructor up at Massachusetts College of the Arts. George had volunteered for the Marine Dept. and Paula thought I ought to meet him. He is a very interesting and talented guy.

Because of research Wendy and Trica had already done we knew a lot about the process of spangle making. While I could make the tools to cut out the spangles I did not have the tools or ready knowledge to make the stock. That was when I gave George a call. He referred me to Peter Evonuk an artist and fellow instructor at Mass Art. Peter manages their metal smithing studio. I made an appointment with him and he was extremely
helpful. He drew and rolled silver wire to replicate the process we needed and then sent me off to a metal plater that some of his students had used. That required a trip to Attleboro to E. Sweet and Sons, Metal Finishing. I met Scott Sweet the President and owner. He was as helpful and knowledgeable as Peter. Before I left that afternoon Scott gave me a tour of his facilities and personally plated the samples of wire that Peter provided me. So back I went to Boston so that we could experiment and evaluate our results. Peter rolled the wire and heated it slightly to compare to the images of originals that Tricia had taken when we went to the MFA. Our results were close enough to encourage us that we were on the right track. So backI went to Plymouth to order silver wire and prepare it for plating. I called Scott once more and he offered to once again help me. We discussed the adjustments Peter and I had agreed upon and he once again plated my stock as I waited. This was enormously helpful as by all rights he should have made me get in line with all his scheduled orders. In addition to this at the end of the day he refused payment for his generous services.

So it was back to Mass Art. Peter and I were ready to make a final trial. We rolled out one nine inch piece of wire into three feet of beautiful golden ribbon. With those results we went ahead and rolled out the rest of my three feet of plated wire into almost 18 feet of stock to make spangles out of. Altogether it took about 15 minutes. If I hadn’t been so pleased with the results it would have been quite anticlimactic. Peter also refused compensation for his help.

All in all it was the knowledge and time that these individuals contributed that allowed my part of this project to be as accurate and special as the rest of the work that has gone into the embroidered jacket. I can’t thank these generous people enough.

Mark M. Atchison
Blacksmith ~ Interpretive Artisan Department

*Paula has been with Plimoth for a long time. I always have a hard time defining what exactly any particular Plimoth staffer does, and Paula’s no different. She’s worked in several different capacities, including colonial foodways manager, marine artisan, interpretive (land-based) artisan, and a bunch of other stuff without special titles.

The Real Thing!

March 29th, 2008 by Jill Hall

101 silver gilt spanglesMark brought us 101 spangles. After all the time and effort he and others put in, it may seem like a very small pile of result. But there was great rejoicing.

heap o’ spangles


Carolyn wound bobbins. Due to a greater demand for the lace kits than we’d anticipated and a longer delivery time on the gold & silver lace threads, she had to ration the remaining thread and carefully plan how many bobbins to wind. (Don’t worry, though, more thread is on the way.)Wendy helps Carolyn string spangles on the silver thread.

We measured and measured the embroidery pieces to determine how long the lace pieces should be. Carolyn decided to start with the pieces that will go along the shoulder wings.

Wendy and Carolyn strung the spangles onto the lace thread and then wound the thread onto the bobbins.

Carolyn makes the first repeat of the real lace.

Carolyn made lace. It seemed to Wendy and me that the work went really fast. Every time we peeked, there was more to see. Carolyn thought it took a very long time. It came out to about an inch per hour.Two repeats - a full day’s work.

Robbin’s here today making lace and Melanie Anne is embroidering. I’ll have those pictures Monday. I also owe you one more post from Tricia.

A Good Day

March 18th, 2008 by Jill Hall

Today was a good day in Colonial Wardrobe. For one thing, we got to see Wendy.

Wendy holding gilt ribbon for spanglesFor another, we got to see Mark, and the way cool gilt ribbon. He kindly brought it up to show us and he and Wendy measured it. Over 18′ of gilt ribbon. We figure it’ll make, oh, plenty of teardrop spangles. Mark’s going to make some next week in preparation for the weekend lace trial.

Months ago, Tricia and I identified as one of the objectives of the embroidered jacket project that we could interest new embroiderers in the craft, and encourage people who already embroider to try new and more advanced techniques. That has certainly happened, and keeps happening. A surprise by-product, though, has been the whole Knitting Stockings phenomenon, and consequent spreading of knitting skills.

Here’s Kelley re-footing an old stocking. When the feet wear out we darn them, and whenKelley refooting an old stocking they’re too thin to darn anymore we take off the feet and reknit them from the ankles. When Kelley started working with us in January she didn’t know how to knit at all. Now she’s re-footing stockings. This is testament to the general enthusiasm and optimism running rampant around here, to Kelley’s perseverance and patience, and to Penny’s excellent teaching.

Wendy’s gunnister pocketLook what Wendy brought us! This is a pocket or pouch based on the one found on Gunnister man, a 17th-century body preserved in a Scottish peat bog. This is Wendy’s first attempt at knitting in the round, as well as her first attempt at knitting with two colors. Pretty successful, I’d say, especially since she only started it on the last day of the last embroidery session. So that’s two new knitters added to the fold. Pun intended.

Spangle Success!

March 17th, 2008 by Jill Hall

After that meeting Mark went away with research and ideas. A few weeks later, which was last November, he arrived in the Wardrobe Department with, in Wendy’s words “a battered coffee can under his arm and a big grin on his face!” Wendy goes on:

reproduction spangle making toolsThe most amazing things tumbled out of that coffee can! Mark had made the tool, a small hole punch, a poker, a pusher and a die! And SPANGLES!!!!!!! They looked like the pictures! What joy!reproduction spangle punch

Here’s Jill again. Since then, Mark and I have talked about how he went about making the spangles. Some of the process is clear from the originals, that they were punched, for example, and from a strip of gilt silver, like a ribbon, not from a big flat piece like a sheet of paper. Some, though, of what he’s done is conjecture. It’s one way to solve the puzzle of how to get this result, not the only way and not necessarily exactly the way Mark reproduction spangles17th-century artisans did it.

reproduction spangle punch handle view

Since that day, the trouble has been how & where to get some silver electroplated with gold and rolled to the correct thickness. Mark has solved all those problems, with the help of some new friends. A few weeks ago he and Wendy and Tricia questioned whether the gold layer was thick enough; they solved that too. Friday I got this message from Mark:

Hi Jill,

I have spangle stock in hand and i can have a quantity made for the 29th. I must show you the gilded ribbon it’s cool.

Mark

We are in business.

The next session on March 28 will see Robbin and Carolyn working with the reproduction spangles and the real lace pattern (the repro of the Laton lace, not the equally lovely but not-the-property-of-the-V&A pattern that went out in the kits) to work out any bugs.

I can begin taking real honest & true reservations for the subsequent scheduled sessions. Three lacers who were ready to come in February and got bumped have first dibs, and I will send out an email to them first thing in the morning (unless they see this and get in touch with me first) to find out if they would like to/are able to come for any part of the April 11 -14 session.

The next sessions are:

Friday May 16 – Monday May 19

Friday May 30- Monday June 2

Friday June 20- Monday June 23

If these sessions are not convenient, please call and let me know. I avoided Mothers’ & Fathers’ Day and Memorial Day thinking everyone would have other plans. If your idea of a great holiday is to come make lace, we can work that out. Let me know.

I’ll be scheduling more sessions; we’ll be working through the summer. Don’t worry – the office is air-conditioned and Plymouth has one of the coldest beaches on the Atlantic coast (that’s a good thing). Please feel free to suggest weekends or weekdays in July, August and September that would be good for embroidery or lace making.

We can have two lacers working at a time. Some have asked if they can make lace for one or two days and embroider for the rest of the session. That is absolutely OK, if you do an embroidery sample kit and learn the embroidery procedure. Also, we’ll have the same deal for lacers as for embroiderers, which is that once you’ve come during a session and learned the drill, you can then come anytime, whenever it suits you whether or not we have a scheduled session. Contact Kathy for embroidery and lace kits, kroncarati@plimoth.org or 508-746-1622 X 8114

As always, please contact me with any questions or concerns jhall@plimoth.org or 508-746-1622 X 8119 – and yippee!!

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