Thanks for the positive comments on the divided carriers from Orleans Carpenters on Friday’s post. We’re grateful for their generosity, and pleased to be associated with them. By the way, there is a treat on the way to go with these carriers. It’s in development now and should be ready by the end of May. More later.

Last embroidery session was in the Wardrobe office. Several embroiderers have mentioned that one of the side benefits of being in the office is the chance to see the behind the scenes work going on - interpreters in period dress frequently come up for a pair of mittens or a fitting or to ask if anyone can help them with the fax machine. This was a little surprise on the last day of the April session, tiny Rebecca Prence stopped by with her grandmother, Mary Brewster. The pink peeking out of her gown is a knitted wool undershirt, based on the tiny one in the collection of the Museum of London. Thanks to Wendy for this photo.

Lyn from Canada was here last weekend embroidering on the jacket. She’s a veteran, she has worked on the jacket a couple of times before. On one of those trips last fall (before the snow set in) Lyn mentioned to Wendy that she’d be touring around Cape Cod for a few days before she headed back to Ontario. Wendy said, well, you have to stop in at Orleans Carpenters, Beth and Paul Dixon’s workshop on the Cape, where they make gorgeous Shaker boxes and some awesome needlework accessories. So Lyn did. And while there she told Beth all about the jacket project, and how she had come from Canada, and others from all parts of the US, and how fun and special it is.

Of course, I didn’t know about any of this. A couple of months later, I got a box with a lovely letter from Beth, and two of these:

I was overwhelmed. Beth, in her note, said that the jacket project sounded like a wonderful way to bring people together to serve a project that would add joy and beauty to the world and she wanted to support it somehow (I’m paraphrasing, because of course I’ve left the original at the office….). I was overwhelmed. The box, really a divided carrier, is just beautiful.

Beth and Paul’s original gift to the jacket has morphed into an even bigger gift to the jacket. The Dixons are selling these carriers for a limited time, and are donating $10 to the Textile Conservation Fund for each carrier sold. Go to their website, Orleans Carpenters, scroll down to the bottom of the left-hand list, and click on the Plimoth Plantation link. Even better, browse around for a while. They do beautiful work.

Thanks again, Beth and Paul, and thanks to Lyn for sharing our story, thanks to Wendy for helping Lyn and Beth meet, and thanks to you for supporting the Jacket!

Note to Susan, who in the comments asked if anyone was thinking about charting a reproduction of the EC sampler - YES! Elizabeth Creeden, noted expert in the field of historic needlework and popular teacher, is doing just that. I expect it won’t be ready for a bit, it’s a pretty big project, but you’ll see it here when it is. Thanks for asking!

Here’s the other half of the jacket’s left sleeve. You can see the concave curve at the top which goes under the armpit.

And a detail of foxgloves, showing the “speckling” which is done, as Kimberly mentioned, in running stitch. I agree, the GST doesn’t show up well in a still photo. It shows to best advantage when you move the frame slightly, letting the light, especially sunlight, play over it. Which makes sense, when you think of it being used on clothing, so the best effect is when the wearer moves and light, in that case probably candlelight or lamplight, plays over the surface, not only of the GST but also the sequins, the gold vines and the metal lace with the dangling spangles. Oh.

And here’s a motif photo, this is columbine. We’ve got a few columbines with just this blue bit in the middle done, Tricia has been working on directions for the rest, determining which stitches are used where. On more than one occasion we’ve found there was more going on with a motif than at first appeared, like when Tricia and Susan North found at least four different variations in how the pansy motifs were worked.

Norma answered Carol’s question as to why the trefoils are “dreaded”. There are just so very many of them, and with the three leaves and the color changes they take a long time to do. That, and though no one has said so out loud they’re also done in plain silk, not the glamorous Gilt Sylke Twist. Poor trefoils.

Tricia is checking on how the acorn caps were made in that 17th-century raised-work picture. I’ll ask her to check her notes for the other elements, too, and she’ll give us a post with the answers.

We’ve added a couple of embroiderers for tomorrow. I’m delighted - the more the merrier, not to mention the more progress, but we may be a little cozy here in the Wardrobe office. Shaina and Penny have turned their excellent spatial-relations skills to how to arrange the room most efficiently, so we’ll be in good shape. I’ll remember to take photos.

Tricia has some exciting news:

Other than a few spools that Access Commodities has given out to shops and designers to promote the up-coming release of Gilt Sylke Twist, Thistle Threads bought the entire manufacturing runs made for the jacket, knowing that not all of the thread would be needed for the jacket. Part of horse trading. We have calculated the needs of the jacket based on our stitching use so far and used what was needed for the Nightcap class. We have extra!

The extra was first offered for sale two weeks ago to those stitchers who had already attended a session as a thank you for generously giving of their time and effort to the project. We still have some extra of five colors - but not copious quantities.

Several of these colors are limited edition, to be replaced in the next set of manufacturing runs by a permanent color series. The blues and pink will not be the same going forward. So if you have a large project in mind, you might want to wait. From last contact with Bill, there may be some thread coming over in the next six weeks. He is currently on travel again and was trying to get one or two colors to Access before he left but wasn’t sure that was going to be possible.

If you are interested in any of the Gilt Sylke Twist and can’t wait until later to get your hands on some, please email Tricia at tricia@alum.mit.edu with your request. The available colors are: Redde, Carnacion, Bisse, Graie Blewe, and Grene. The price is $25 for a 35 meter tube with $5 of each tube going to Plimoth as a donation to the jacket project.

Tricia

Please note: These photos show all the colors, some of which are not available for sale right now.