Tricia sent me this post for tonight:

I know many of those lacers reading the blog would like to see how we are keeping the spangles on the bobbins. Here you see the spangles on one with Carolyn’s small hair clips to hold the thread in place.

We are also adding pictures of Bryce, our speedy lace maker from the April session and her early progress.

Everyone enjoyed watching her fast hands clicking the bobbins and having the airy lace start to float off of the pillow.

I started thinking that I would have to get out my own bobbins and learn myself!

Tricia

Last Friday the embroiderers at our April session got an unexpected treat – Mark was working in the Crafts Center making spangles. Lots of Mark’s work isn’t suitable to the Crafts Center, requiring a big fire like it does, but this work is great for that space.

Wendy and Tricia took photos and also video, I believe. Wendy sent me these photos.

Two tubes of the silver thread for the lace making arrived in the mail from Tricia this morning. Carolyn sent a note that she and Wendy will be down week after next to wind bobbins. Carolyn will finish off the wing piece that Bryce did, and start the next piece so Jill H can work when she comes in May.

Joann G’s embroidery sample arrived a couple of days ago and Kathy sent a big pile of embroidery kits out. Those of you who were waiting for kits, they’re on their way. I think that’s all the news for today.

Today Wendy counted up the motifs that were done this weekend. I had high hopes for this session and I was not disappointed. There were many hands working and a great deal was accomplished:

16.5 worms. The plain worms, not the fancy worms. We don’t have directions for those yet. But the plain worms gave us plenty of head-scratching moments, as we tried to figure out what color each should be, comparing the photos of the original and the different pieces of the jacket. The half worm disappears into a seam, and it was the back half that was stitched, which led to some merriment. Oh, and Debbie thinks they’re actually slugs, since they have little feelers on they little heads. Are slugs ickier than worms?

3.5 pansies. Pansies take a LONG time to work, and they’re not as spectacularly colored as the pansies I’m familiar with. Still very pretty, and after these 3.5 were done, there are not that many left.

2 whole pinks. Pinks, or carnations, and in the 1627 village gillyflowers (hence very popular with me). Also take a long time to do, and we’re almost done with them, too.

6 leaves, 1/2 a pea pod, 1/2 a rose hip, 1/2 a thistle calyx, 1/2 a honeysuckle, 1 set honeysuckle buds, and one little edge of a pea pod that vanished into a seam. It was just a tiny line, but it was fiddly to work since the way it was oriented meant a long column of one buttonhole stitch per row rather than one long row of stitches. Abigail did that one. Some of those half motifs were partially done at other sessions by other stitcher, some were the kind that disappear into seams or off the edges of the pieces.

AND TWO of the dreaded trefoils. That’s a thistle in the bottom of that photo, with the calyx of course the green part below the blossom. Debbie did one of the trefoils and Linda did the other. Linda was with us only on Saturday.

Not to mention 9 lace motifs in only two days (that was Bryce, speed lacer.)

Here’s a picture of Wendy working that very first rose motif. She stayed late tonight to finish it, “so her boss won’t yell at her.” We’ll see what Tricia thinks of the result, maybe next time we can add another motif to our repertoire.

Thanks, everyone. I so enjoyed this weekend.

Here’s two pictures of Bryce working, both from Friday. And here’s what Bryce said in the comments about her time in the workroom:

I had such a wonderful time making lace. I urge all you lacemakers out there to try it! It’s a little fiddly, but not difficult. The people — staff and embroiderers both — are wonderful. The food is as good as they say it is. All in all, a great place to get away from everything for a couple of days. Thank you! I’m hoping to get back!

I’m glad she had such a good time, that is the point, after all, to have a good time doing something you enjoy with other people as crazy I mean passionate and dedicated as you are. Well, that and making the thing. That too.

I mentioned that Wendy is working the prototype of the rose motif this weekend. I wanted to expand on that a little. Before she started stitching, she and Tricia sat down with some detailed photos of this motif, both prints and digital images enlarged on Tricia’s laptop. They sketched out the shape and drew in the direction of work, determining which stitches and and colors should be used. Here are a couple of pictures of that conversation. This took maybe a half hour, give or take, and they’ve done this with a couple of other motifs, too. It’s one of those fascinating things that happens almost unnoticed, I think all those working in the other room had no idea this was going on. I just happened in and thought you’d like to hear about it.

So they decided how to proceed, and Wendy will finish the prototype this weekend as I mentioned. If it looks like the originals we’ll be good to go. If for some reason it doesn’t come out as expected, then it’ll be back to the drawing board to see if a different method will result in a more faithful reproduction, just like the process Mark went through with the spangles. Sometimes this is called experiential archeology. Whatever you call it, it is pretty cool. Likely this level of intense scrutiny would only happen in trying to create a reproduction, which is one of the reasons why I do this sort of work.

Today, one of the sleeve pieces went “out of service”. This is a good thing, not like when that happens to your TV. I am plenty excited.

Out of service means we’ve hit a point where we can’t do anything else on it, until either we get more instructions or more materials. This is the first large piece to go out of service. Before today only the gussets were out of service. All that’s left on them is the gold work, and we’re waiting for the next iteration of that thread for Tricia to test.

Today Susan K finished the plain worms, and the only things left on this piece are 2 columbines, 2 1/2 borages, 1 1/2 birds, 3 butterfly wings, 1 “fancy worm”, and 1 1/2 roses. We’re waiting on directions from Tricia for these motifs: colors, stitches, direction of working, that sort of thing. So, OK, there’s still an awful lot to do here, not to mention the gold work and the oes. But let me enjoy the moment.

Wendy is even now working the prototype of the rose motif and taking detailed photos as she works which Tricia will magic into the awesome individual motif directions we have for the other motifs. Once we have those, we’ll bring this back to do the roses.

Did you catch that “fancy worm” comment? Most of the worms are simply done in ceylon stitch in either red or blue GST. The fancy worms are different, two colors and we haven’t quite determined the stitch yet. The term captured my imagination, though. FANCY WORMS. Is that an oxymoron or what?

I’m a little giddy, I actually worked two and a half leaves today, including one two-color leaf. Woo-hoo. I was working on the right side, which is in one of those huge, unwieldy frames. I stood to work on it, with the frame propped against the big cutting table. Tired now, but very pleased.

Bryce W was here for two days and has taken the first piece of lace as far as it can go. Turns out the 13″ piece for the wing needs 15 motifs and we strung only enough spangles for 13 motifs. Tomorrow Wendy will unwind some of the bobbins and add more spangles so when Carolyn next comes in she can finish off this piece and get the next one started. The lace is well and truly underway. No wonder I’m a little giddy.

Marilyn left a comment the other day, that when she got practiced at the trefoils she was able to do one in three hours. That is really zipping along, and part of the reason they’re called “dreaded trefoils”.

Hey, can anyone recommend a really sturdy needle threader? We keep busting the ones we have and can find. Any suggestions?

More tomorrow.

I know I promised pix of Robbin’s lace work today, but at the time I wasn’t remembering that I wouldn’t be in the office today. I left them in the laptop at the office. Here instead, is the story of the completion of the Spangle Quest in Mark’s own words. The gratitude, though, is seconded by all of us who Love the Jacket.
Hi Jill,

These are the people that helped me make the spangles happen. First of all Paula Marcoux* introduced me to George Greenemyer. He is a sculptor and instructor up at Massachusetts College of the Arts. George had volunteered for the Marine Dept. and Paula thought I ought to meet him. He is a very interesting and talented guy.

Because of research Wendy and Trica had already done we knew a lot about the process of spangle making. While I could make the tools to cut out the spangles I did not have the tools or ready knowledge to make the stock. That was when I gave George a call. He referred me to Peter Evonuk an artist and fellow instructor at Mass Art. Peter manages their metal smithing studio. I made an appointment with him and he was extremely
helpful. He drew and rolled silver wire to replicate the process we needed and then sent me off to a metal plater that some of his students had used. That required a trip to Attleboro to E. Sweet and Sons, Metal Finishing. I met Scott Sweet the President and owner. He was as helpful and knowledgeable as Peter. Before I left that afternoon Scott gave me a tour of his facilities and personally plated the samples of wire that Peter provided me. So back I went to Boston so that we could experiment and evaluate our results. Peter rolled the wire and heated it slightly to compare to the images of originals that Tricia had taken when we went to the MFA. Our results were close enough to encourage us that we were on the right track. So backI went to Plymouth to order silver wire and prepare it for plating. I called Scott once more and he offered to once again help me. We discussed the adjustments Peter and I had agreed upon and he once again plated my stock as I waited. This was enormously helpful as by all rights he should have made me get in line with all his scheduled orders. In addition to this at the end of the day he refused payment for his generous services.

So it was back to Mass Art. Peter and I were ready to make a final trial. We rolled out one nine inch piece of wire into three feet of beautiful golden ribbon. With those results we went ahead and rolled out the rest of my three feet of plated wire into almost 18 feet of stock to make spangles out of. Altogether it took about 15 minutes. If I hadn’t been so pleased with the results it would have been quite anticlimactic. Peter also refused compensation for his help.

All in all it was the knowledge and time that these individuals contributed that allowed my part of this project to be as accurate and special as the rest of the work that has gone into the embroidered jacket. I can’t thank these generous people enough.

Mark M. Atchison
Blacksmith ~ Interpretive Artisan Department

*Paula has been with Plimoth for a long time. I always have a hard time defining what exactly any particular Plimoth staffer does, and Paula’s no different. She’s worked in several different capacities, including colonial foodways manager, marine artisan, interpretive (land-based) artisan, and a bunch of other stuff without special titles.

Mark brought us 101 spangles. After all the time and effort he and others put in, it may seem like a very small pile of result. But there was great rejoicing.

Carolyn wound bobbins. Due to a greater demand for the lace kits than we’d anticipated and a longer delivery time on the gold & silver lace threads, she had to ration the remaining thread and carefully plan how many bobbins to wind. (Don’t worry, though, more thread is on the way.)

We measured and measured the embroidery pieces to determine how long the lace pieces should be. Carolyn decided to start with the pieces that will go along the shoulder wings.

Wendy and Carolyn strung the spangles onto the lace thread and then wound the thread onto the bobbins.

Carolyn made lace. It seemed to Wendy and me that the work went really fast. Every time we peeked, there was more to see. Carolyn thought it took a very long time. It came out to about an inch per hour.

Robbin’s here today making lace and Melanie Anne is embroidering. I’ll have those pictures Monday. I also owe you one more post from Tricia.

Lace sample received from Julie E. This and all the lace samples are just gorgeous. I get seriously distracted when a new one comes in, holding it up, watching the sequins tremble. . . getting a little nervous about sewing it all together. . .

Lovely green stockings received from Monique N. I honestly feel that knit stockings in the bin are like money in the bank. When someone wears out a pair they don’t have to be cold waiting for us to fix them. Thank you.

Thanks to everyone who has signed in to the forum. How cool is that?

I need your help again. I am working on a multi-media presentation on the jacket project (not just me, though, I am part of a team). As part of it, I’d like to hear from you. Would you share your thoughts on this project, what it means to you, why you think it has captured so much attention and enthusiasm, why you think it is important? You can send me email (jhall@plimoth.org) or regular mail:

Jill Hall, Colonial Wardrobe

Plimoth Plantation

PO Box 1620

Plymouth, MA 02362

I will set up a place in the forum, too. Let me know your name (first and last initial is fine) and general location (city/state or province/country should do the trick).

Your comments will be used in support of the project – for information packets, for fund raising, as part of the eventual exhibit, that sort of thing. Thank you in advance for what I know will be thoughtful, eloquent contributions to the cause.