Here are a few pictures of Lacey fixing Rebecca’s hair.

In the early 17th century working-class women (like the Plymouth Colonists) wore their hair up and covered with a white linen coif. Modern female interpreters may or may not have “period-correct” hair, but either way they have to get their hair under a coif with no bangs or other bits showing. Rebecca has gorgeous period correct hair, by which I mean long and unlayered.

Some women with long hair put their hair up in a simple bun, some braid it. Here Lacey is braiding Rebecca’s hair in a style thoroughly illustrated in The Tudor Tailor. This book shows Jane, one of the authors, braiding ribbons into her hair starting about halfway down each of two braids. The ends of the ribbons hang down beyond the end of the braids. You then use those hanging ends to tie the braids up over your forehead.

The first time I tried to do my daughter’s hair that way, the ribbons pulled right out of her slippery fine braids. I thought about it for a minute, then cut a long ribbon, folded it in half, and placed the fold at the back of her neck. I began to braid one end into half her hair. The other end got in my way and I pushed it forward over her shoulder, saying, “here, hold this end”.

Then I had a flash of insight – in the book Pride and Joy: children’s portraits in the Netherlands 1500-1700, there’s a 1596 portrait called “Hilleke de Roy and Four of her Orphans”. Hilleke de Roy was the matron of an orphanage. In the portrait she is combing a girl’s hair. One half of the girl’s hair is already braided, and you can see that a ribbon is braided in. Hilleke is combing the other half of the girl’s hair, the unbraided half, and the girl is holding the end of the ribbon, which goes up and around the back of her neck – just as I asked my daughter to do. I love when stuff like that happens.

Tags: braids, dressing Rebecca, hair, Lacey

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