We had a new embroiderer on Monday. It was me! I stitched a plain, single-color leaf in #325. I chose the location carefully; there aren’t that many single leaves left; they’re one of the “training motifs” we’ve been using as first work for those new to the jacket. (The other training motif is the bud/rosehip - there are precious few of those left too.)

Carol S was surprised, when she heard, that this was the first time I’d worked on the real jacket. It wasn’t on purpose, just sort of a combination of things. In the early sessions there was a lot of organizing and other things to take care of, plus there were no free frames. Several times I worked a practice bud on a doodle cloth to warm up and get my work approved, but something else would always come up that I needed to do. Then, after a little while, the idea of starting on the real piece began to loom like a mountain in my imagination. The last thought stalling me was that it would be so fun that I would be tempted to work on it as much as possible, and there really is an awful lot of other stuff that has to get done too.

The other day I decided it was time. I picked carefully - this leaf will be under the collar when the jacket is finished - just in case my work wasn’t up to snuff. But it actually went very well. And I think I was right - it will be hard to ignore the siren call of the frames in the cupboard and make shirts, sort shoes, and organize the clothing for the March 23 opening of the museum!

I wasn’t going to mention it, but Wendy and Robbin and some of the others threatened insisted. My next project is a trefoil. There are plenty of those left.

Thanks to Wendy for these pictures.

Lace sample arrived today from Robbin.

Today Emily embroidered on the jacket. The first thing she did was a pink bud, shown here next to someone else’s leaf. The top corner shows a little of Wendy’s pansy. This bud is on the lower left corner of the back of the jacket.

Next she did a whole leaf on the coif. Here’s a picture of Emily pointing to the leaf. The photo on the left is Emily’s leaf. Hers is the dark green single leaf on the left, above the pink bud.

Here’s Emily working on the leaf.

This is her last week working with us, then she has to go back to school. We’ll miss her.

*Now we’re all teasing Emily.

Today we had special guests join us for lunch. Jonny and Shelley spend much of their time caring for the rare breed animals in the 1627 English Village. That brief sentence doesn’t begin to capture all they do (I realize I say that often about the staff here, but it’s always true). They build and mend fences, feed and water, clean pens, train the cattle to walk and stand and greet visitors, and lots of other things. This session’s embroiderers enjoyed talking with them about their work but even better was petting Winter, a baby boy goat. That’s Shelley and Winter.

There were frames enough for Wendy to stitch today. She’s working on the first pansy. Several motifs, pansies included, are not worked identically over the whole jacket. Some of the honeysuckle, for instance, are cream on the inner part of the petals and yellow on the outer parts; on some of them the colors are reversed. Tricia has identified at least four different ways pansies were worked on the jacket, and where on each piece the variations occur. Wendy was working a #3 pansy on the lower jacket back today.

Karin has been embroidering with us, too. Karin is the Curator of Originals for Plimoth Plantation, and has generously made time in her busy schedule to show each session’s embroiderers the samplers in the collection. Here she’s working trellis stitch butterfly bodies (striped!) on the coif. Thanks to Wendy again for all the photos. I left my camera on the computer desk at home.

Believe it or not, we left tonight in the snow. I made sure everyone had the information to find out if Plimoth is closed tomorrow due to weather, but the meteorologists are promising these are just isolated snow showers with no appreciable accumulation. Is it any wonder I’m getting a little paranoid, though?

Karen asked, in a comment on The Spangle Quest post, whether a blog or list on this blog can be set up for the lacemakers to get together. I have absolutely no idea whether that can be done; I’ve asked Rich. He’ll know.

This morning the embroiderers gathered in Accomack to begin another session of work on the jacket. I have a picture of, from left, Susan, Tanya, Cheryl and Melanie warming up with doodle cloths while (in the second picture) Wendy carefully considers which motifs should be the next ones worked. Here she’s surrounded by sleeve parts. You can really see how much progress is being made. Sure, there are still big white gaps, but there are more colored bits, and by Monday there’ll be more yet.

Yesterday, Penny let me know that since October we’ve sent out 84 knitting kits. That’s a phenomenal response to our call for volunteer knitters, and I greatly appreciate each and every knitter’s contribution. Rosemary came to stitch today and brought a completed pair of green gloves. She also brought one completed purple glove; the second will be done soon. In addition to Rosemary’s, we’ve already received 4 other pairs of gloves and at least 6 pairs of stockings. That’s some quick knitting.

It’s not all work, of course. We eat, too. Here are Tanya, Susan, Chris and Cheryl admiring Marcia’s work. Today we had sauerbraten meatballs with sour cream rolls and “embroidery ladies apple pudding.” I wonder if Marcia is now inventing new recipes just for us. This was special yummy, like a deluxe apple crisp.

The next embroidery session is scheduled for Friday February 29 - Monday March 3. I have a few people signed up. If you’d like to join the party, email me at jhall@plimoth.org

Lace sample arrived from Jill H.

We’ve got a lot to accomplish this winter, but fortunately we’ve also got help. Joining Shaina and Penny in the Colonial Wardrobe workroom are Kelley, Alex and Emily.

Kelley is a Colonial Interpreter who during our open season works in both the 1627 English Village and aboard Mayflower II. This winter she’s been doing yeoman work mending the piles of period clothing and textiles that came to us in December. Kelley’s also working on handsewing a pair of stays (corset in modern parlance) for herself. Stays aren’t a large piece of clothing, but stitching all the channels for the “bones” takes a long time.

Alex is a student at Massachusetts College of Art and has been interning with us one or two days a week for the whole school year. Here’s a picture of Alex with one of the two smocks she’s made. Alex has also made a woman’s jacket (out of plain pink wool, but the same shape as the embroidered one) and is now working on a man’s doublet (upper body garment) made of sturdy canvas. Alex is also working on the embroidery stitches under Wendy’s direction. Hopefully we’ll be able to have her work on the jacket some before the end of her time with us. Here’s a photo of Alex with her latest smock.

Emily is a sophomore at Bennington College and is doing her Field Work Term with us (FWT is Jan 2 - Feb 15, and the students have to work in their field basically full time for those 6 weeks). So far Emily’s made a smock, a shirt, and done a pile of mending. She’s also been practicing the detached buttonhole stitch in hopes of being able to work on the jacket. Emily is currently working on a pair of hand sewn stays for Norah. Here are photos of the stays with the bone channels partially stitched, and one of Emily doing a second (or third?) fitting with Norah. They looked very good on, and now it’s just a race to see if she can finish all the work before she has to go back to school.

*”lackey” is for Emily’s mom. I don’t really think she’s a lackey.